Here’s an irritating discovery. If you denoise your raw image in Topaz to start with, then push the texture, clarity, exposure - basically anything - afterwards, it gives you a big ugly grid of artefacts. So denoise afterwards. And hopefully I’ll get DxO for Christmas….
Freedive | Undersea Panel | Gallery
Thanos
Experimenting with extreme close-up of my eye. Learning that the real challenge is blocking reflection while also sufficiently illuminating things. And attaining sufficient depth of field at the same time. And sitting really still.
This is a lesson that should be learned. If I take a bunch of raw images, process one significantly to the point I like it, but still have adjustments I want to make at the point of taking the shot (because the first shot was step one in learning something), I struggle to work objectively on subsequent shots because I want to edge them towards what I achieved in shot one, rather than develop them to whatever they naturally want to be. In shot two (on the right) for example, I controlled the light as far is humanly possible, and lined up the reflection of the camera lens perfectly with my pupil. But…… I still prefer shot one despite everything I sought to correct subsequently…
Curiously my eye is much less moist in shot 2. Probably because I had a megawatt lamp inches from my face frying off the moisture…
Strike 3. Clear your mind and start afresh. The frustration with this one is that (although the lens flare is added in post) the lens in the pupil is genuine, but looks pasted in there! Grr.
Wirework | Gallery
Strike one at some ICM with wires a la David Day. Clicking that link will put this effort into some stark perspective - but I’m learning through doing…. I’m going to build a little dark tent in the studio to properly give this sort of thing the space it needs to develop.
This was Cat 5 ethernet cable (de-sheathed). It would be easier to make the images more abstract if they weren’t striped, but I’m interested in that as an option. It makes it more circusey than it would otherwise.
Insomnia
1:20am
and I’m wide awake again.
Have you stopped breathing?
In Bed After Camera Club
Mill Road Winter Fair | Gallery
Went out with a 50mm to make myself interact with folk more (!). Had a lot of fun. A great atmosphere on a freezing day.
Long Exposure Workshop | Gallery
Sunday I attended a (2:1!) long-exposure workshop with Antony Zacharias. These are my shots. I did not do an awful lot of long-exposure stuff, not least because Antony showed me some of his images (see the link to his website) and I was distracted by how wonderful and inspirational they were. Nevertheless, here they are. I quite like some of them and, regardless of the quality of these efforts, the workshop was excellent.
Click to view full-size.
Arcminute Microkelvin Interferometer
There’s probably a way to get the moon not blown out, and still benefit from the moonlight, but I’m buggered if I can work it out.
Off-Camera Flash
Experimenting with off-camera flash. I mean - really back to basics. Well, not back. Just… basics. Like… why isn’t the flash working? Oh. Electronic shutter. Dimwit. I need to play with flash more to understand it. And I need to play with kittens less, because they’re a fucking nightmare.
HERON!
Yet another image of a heron. But I like herons.
Pale Blue Dot
Street Level | Gallery
I found a remote trigger that also allows burst firing (Hähnel Captur), so put the R5 in a cage, and hung it at the bottom of a monopod for street-level captures of dogs. Click for full images.
There were some quite cool kids too.
Norfolk | Day 3 | Gallery
Click for bigger…
On reflection, it appears that I am obsessed with groynes. Also, that I am a big fan of symmetrical portrait formats.
Norfolk | Day 2 | Gallery
Click to view.
Norfolk | Day 1 | Gallery
A long weekend in Norfolk, despite the weather. Minns’ book tucked under my eager little arm… Click to embiggen.
Key-lines
Frankly, just working out how to add a key-line to an image…
Flash. Ah-aaah.
Yes. I bought Nik. And am lumbering around in it.
Pep Ventosa, but table-top and therefore not
Experimenting with subject rotation and blend modes. And Nik.
I do NOT know how to do this...
I CAN’T GET TO GRIPS WITH THIS!
This one is oil in water, but I’ve been tried too with (distilled) water droplets on glass. Whatever I’m using I cannot figure out how to get the drop AND the image in the drop in focus. People seem to manage this by mistake when taking pictures through rainy windows, but I can’t decode what that means for doing it intentionally. This image is focus-stacked and it still doesn’t do what I’m after…