Just revisiting an image from Strawberry Fair I didn’t use.
And submitting it to APOY2024 because I’ve lost interest in it….
Just revisiting an image from Strawberry Fair I didn’t use.
And submitting it to APOY2024 because I’ve lost interest in it….
Trying a new thing. On reflection I think it would be better without the frame. Too much contrast on the least important thing.
Works better in a stick frame.
RPS trip to HMG trying to encourage people to shoot more freely and to learn form the results, leaning into accident, and so on.
A week in Paris doing The Usual, checkbox fashion. As usual I have the most fun with the worst camera. I need to work out what’s going on there…. Click for bigger images.
Bits of the Pompidou Centre…
850nm IR in various places…
Curiosities…
A couple of colour ones…
… and a reminder of what it’s like in Paris doing the sites, in summer, just prior to the Olympics.
Had a go at panning for speed, among other things. Click for full size.
This is out-of-camera (minor sharpening) but with the Fuji Velvia film sim. I'm struck by what a pronounced UV effect seems to have happened when ordinarily this sim is broadly just saturation (broadly). The leaves are naturally that faintly blue-tinged but fuzzy colour of lavender leaves.
WHIPLASH!
I can see myself becoming quite addicted to making these.
Returned to the Henry Moore Garden with a plan. Of sorts. Take documentary-like images of whole sculptures, large partial-forms and textures, then create a panel with a coherent composition. I’m satisfied with this. It works well to composite everything, then find a high-contrast black-and-white treatment, and bi-colour-process that with bronze-like user-defined colours.
For the record:
Large-form in photoshop layer.
Texture in another layer.
Change blend mode to overlay, though sometimes something else.
Adjust both layers’ levels to taste.
Flatten or export, then black-and-white process with an appropriate filter for dynamic range.
Nik ColorEfex user-defined bi-colour process with colours picked from the original bronzes.
Print-to-file in lightroom as panel.
Experimenting with the X100VI. I do like the close-up stuff. The bokeh is great.
Revisited the Henry Moores and took lots of raw material pictures for future projects. But also these.
Had a day’s work cancelled. Already had the train ticket. Beach.
Blew the highlights, lost the shadows, embraced the noise, welcomed the vignette. Who needs judge approval…?